needmilkformycookies:”Legion” & “Wrex” by Thoroly-Good…


“Legion” & “Wrex” by Thoroly-Good Cosplay & Dashy

these are the best ME related cosplays I have ever seen in my life.

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brianmichaelbendis:Iron Fist and Luke Cage Photographed by Ron…


Iron Fist and Luke Cage Photographed by Ron Gejon Photography

The family that cosplays together stays together.

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cosplayingwhileblack:XCharacter: GyradosSeries: Pokemon i…



Character: Gyrados

Series: Pokemon

i don’t know what a Gyrados is, but that dress took some mad skills and looks awesome.

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ericafailsatlife:I’m catching up on commissions. I… I…


I’m catching up on commissions.

I… I might not be able to ever look at anything else ever.

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sai-zar-drancher:well…for the work of a week…it looks great…


well…for the work of a week…it looks great XD

Spider-Gwen, Spider-Gwen
Does whatever a spider .. uh… ken…

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drdavidmrmack:11×17 print of this version of Neil Gaiman Poem…


11×17 print of this version of Neil Gaiman Poem collaboration- Now available here!

The other prints have sold out, and @neverwear is offering a reduced special advance price here:

Neil Gaiman reading and discussing the origin of the poem and collaboration here:


here is the entire text of the beautiful poem Neil composed:

I will write in words of fire.

I will write them on your skin.

I will write about desire.

Write beginnings, write of sin.

You’re the book I love the best,

your skin only holds my truth,

you will be a palimpsest

lines of age rewriting youth.

You will not burn upon the pyre.

Or be buried on the shelf.

You’re my letter to desire:

And you’ll never read yourself

I will trace each word and comma

As the final dusk descends,

You’re my tale of dreams and drama,

Let us find out how it ends.

-Neil Gaiman

A beautiful poem of love and creation set to beautiful art 

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Post Apocalyptic Disney Princesses at Torucon 2014 This is just…

Post Apocalyptic Disney Princesses at Torucon 2014 

This is just a few of the amazing girls we had in our group!

Jasmine – Batbunny Cosplay
Merida - Studio Eevia
Pocahontas – Eirin
Aurora – Timeforlemontea
Snow White – Blitzhellion Cosplay
Mulan – Ramona
Ariel – Starbit Cosplay
Elsa – Santatory

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scienceofdiscontent: betaadamantium: the-oh-god-of-hangovers: …





My Mass Effect 3 Liara T’Soni cosplay.

First time putting the make up with the costume and I’m really happy it all came together so well. This was another make up test I decided to do as practise before PAX AUS 2014. I’m glad it worked!

Photo and make up by Jen of Soylent Cosplay

this looked like some high resolution screenshot. omfg

That’s what I thought it was at first, too. Holy crap.

Asari cosplayers have the sickest makeup game. i once asked a girl at con to tell me the secret to “no seams” when they apply their cowls. apparently its tiny spatulas.

ho lee cow. That is amazing head make up/wear.

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Life is, indeed, too short to not be…

Life is, indeed, too short to not be Batman.

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Thursday Prompt: Character Influence

As I thought about Leonard Nimoy and the character of Spock, I realized that one of the reasons I loved Spock so much was that he was key to the characterization of others. Watching how the other characters interacted with and treated Spock provided the lens to which we better understood the personalities and passions of those around him, their strengths and weaknesses, their flaws and their kindness, more than with any other character.

If you are writing or if you are reading, take a few minutes to list 3-4 of your favorite characters. For each of them create two columns, one to list what you know about them and one to list what you learn about those around them based on their interactions with each other. Not all characters have as much influence on those in their midst as Spock did but that’s ok.

Are there patterns in your favorite characters and the roles they have within the stories or in the other characters lives? Are there traits that each of your favorites share? When writing, are there insights that only one of your characters provides? Consider these and write about one character, using them as a means to magnify the personalities and traits of those around them.

Leonard Nimoy Tribute

I knew I wanted to pay tribute to Leonard Nimoy and the amazing Mr. Spock for my turn with this week’s QFT blog. I also knew that every great thing had been said, every powerful quote quoted, every influence elaborated on, every fabulous connection made by those that were greater, truer observers or fans than I. Then, the more I thought about this, the more I realized that the tribute I wanted to give wouldn’t be in words, it would be in acts, things that perhaps I might have planned to do anyway, but that I now want to do with this legendary actor and iconic character in mind and as a motivation to action. So here are my tributes. Feel free to follow up and ask me if I’ve kept them.

1. By now, we may have all seen this tweet:

NimoyI called my dear friend Cyndi and told her that I had thought of her, wondered how she had been. I knew the death of Leonard Nimoy would be sadder for her than anyone else I knew. Her Christmas tree held the Star Trek ornaments. Her walls were decorated with Star Trek posters. Her bookshelves filled with Star Trek novels and boxes in her home with fan fiction. She had watched the original Star Trek series since it came out, when she was 9 years old.

“Yes, I was sad. How do you let go of something that has been a part of your life that long?” she said.

Cyndi and I used to get together with my family and our neighbors when the kids were small and we’d watch Enterprise when it first aired. Since the days when we lived so close, we have struggled to make that type of traditional time to be together. I want to honor Leonard Nimoy by allowing him to help me do something I have been wanting and working to do, spend more time with a loved and cherished friend. You see, my friend Cyndi is part of my living garden, part of some of my most happy memories and hopefully many more to come.

So, in your honor, Mr. Nimoy, I want to prioritize some more perfect moments with my dear friend Cyndi and maybe find a way to include a nod to you in a few of them. I still have that special piece of Spock memorabilia I have been meaning to give her and there are always some fandom moments we can enjoy.

2. Leonard Nimoy was a photographer who liked to take photos in themNimoy2es. I would quote where I read this but I can’t find it. It is, however, true. You can see that many of his photography books were thematic. Secret Selves, published in 2010, “depicts his subjects’ creative and sometimes weird sides, the part of us we try to hide from others.”

For my second tribute, I am going to take a series of photographs with a theme in mind, where normally I only do subjects. I am struggling to pick my theme right now, but I will share them on FB and Instagram when I do. I won’t cheat either. These will be new shots. Leonard Nimoy loved the arts and I will explore the art of photography with him in mind.

3. Here are two more Leonard Nimoy quotes that have been shared a lot since his passing, “The miracle is this—the more we share, the more we have.” and, “When you let me take, I’m grateful. When you let me give, I’m blessed.”

I wish I had more time or money, especially when it comes to supporting charities. For me, both are limited, but that doesn’t mean I am helpless to help or that there is nothing I can do. I have voice, connections and multi-tasking on my side. I also know that every little bit helps.

Nimoy3This weekend I learned about the SuperKids Cape program, part of the “Me Fine” Foundation Inc.. Through this program, children fighting critical illnesses like Superhero Kory here are given a Super Cape after a major medical procedure. Through “Me Fine” you can also help provide financial support and other resources. Please visit I have, and I commit to drawing attention to them and the cause of super kids over the next week.

Ok, that’s it.

Mr. Nimoy, I am tired. You have worn me out just writing this, and now I have some work to do in your honor. Thank you for you giving us Mr. Spock. Thank you for giving your fans the gifts of your time, talents and example. Thank you for the headaches I gave childhood self trying to emulate your expressive eyebrows. Thank you for the kinks in my joints as I tried to make the Vulcan Salute. I still struggle when I do it, but it’s the spirit of the gesture that matters most, right?

I will miss you.

Live Long and Prosper, in my heart always,

Seaside Sprite


Earthsong: Volume 1, Chapter II

Earthsong-chapter2coverContinue reading Crystal Yates’ Earthsong, Chapter Two.

Or if you missed last week, start at the archives.

Happy reading!

Writing Prompt: Time Travel to the Future

Most time travel science fiction is about traveling to the past, but something just as interesting is traveling to the future.

Just a little background: General and special relativity allow us to travel to the future at different rates than everyone around us. Time goes by slower in a stronger gravitational field. GPS satellites actually have to compensate for this. We are in a stronger gravitational field closer to earth so time goes by slower for us than the satellite.

Time also goes by slower the faster you travel. If John is in a spaceship traveling near the speed of light, he will age slower than his stationary brother Henry. GPS Satellites traveling about 7,000 mph also have to compensate for this.

So those are two methods to travel to the future, but the writing prompt is this:

What do time travelers to the future do when they get there?

They could travel 50 years or 1,000 years to the future. Everyone they left behind has aged and possibly died. They could be a historian for the future. They could bring some samples to the future for comparison on how much things have changed.

Why would someone travel to the future?

They don’t necessarily have to arrive in a dystopian future that needs saving. They may arrive in a typical day; everyone goes about their business, but the time traveler has become a relic. What problems does he face?

Hacker Fingers

Brilliant hackers and genius scientists do the impossible in movies and books. The hacker will mash a keyboard for a few seconds and break through a firewall protecting all the government’s secrets. A scientist will slap together a save-the-day-machine out of parts from their garage, and it will work at just the moment they need it.

Hackers in real life use much different strategies. Scientists in real life take much more time to prototype and test their ideas.

These stereotypes are used to make the plot move along faster and to keep the attention of viewers or readers.

In real life, a hacker may get access to sensitive information by much less glamorous means, such as a phone call.

“Hi, this is Jim Jennings from IT. We need to do a password check.”

Something tells me the story wouldn’t be quite as interesting if the real-life version were depicted in a story or movie.

So, for the sake of others’ entertainment (as well as my own), I’ll take the hacker fingers mashing the keyboard.

Earthsong, an Online Graphic Novel by Crystal Yates

EarthsongAs I alluded to in my post last Tuesday, Quantum Fairy Tales is partnering up with an incredibly talented artist/writer named Crystal Yates so that we can feature her web comic, Earthsong, as it comes out every Monday.

Crystal has her own website where she posts new pages every week, so basically we’re just here to spread the word of her awesomeness and remind all of you to keep up with the story as it comes out. With an intriguing and exciting story like Earthsong, I’m sure we’ll hardly need to remind you of when the new page gets posted—I just read this week’s post and I’m already pawing at my computer screen, crying, “When will seven days end, father?” (For those of you who like obscure silent film references, yes that was a play on a line from Metropolis).

If you want to know more about the comic, visit her website. Click on the “about” tab at the top of the page to learn more about her comic; there you’ll find an extensive description of the world of Earthsong along with a little background from the author.

Here’s a link to the first chapter (which you can also find by clicking on the “archives” tab):

In case you’re wondering why the art style seems to change abruptly the first volume, Crystal recently revamped the first chapter by redrawing the panels and cutting back on some unnecessary dialogue. By doing so, she really displayed how her drawing style has changed so much from when she first started writing. I’ve followed her work for a few years now, and I am so amazed at her development as an artist and as a graphic novel writer/designer.

So without further ado, I am proud to introduce Crystal Yates and her super incredibly awesome work, Earthsong! I highly recommend you check it out. We’ll be shamelessly plugging it every week until you do! Just start reading now; you know it’s inevitable.

For those of you new to the comic, and those who already know about it, feel free to share your thoughts and opinions on it in the comments below.

Creative Prompt: Face Off Challenge

I have wanted to initiate this challenge for a while now—if only for my own personal development as an artist/writer—and I think it is the perfect time for me to break out…The Face Off Challenge (dun dun duuuuun)!

For those of you who don’t know, Face Off is a TV show on Syfy where movie makeup artists compete by creating fantastic makeup effects based on specific scenarios designed to mimic the movie making process. For example, last week they did an episode where the contestants had to design a creature based off of a sound effect. Here are a few of my favorites:


Inspired by the sound of a ticking clock.


Inspired by the sound of ominous heavy breathing and the ‘ting’ of a deadly blade.


Inspired by “dinosaur-like” clicks and clucks.

You can check out the rest HERE.

Pretty sweet, huh?

The most important part of creating a believable character is coming up with a backstory—and everyone knows that when the contestant has a good backstory, his or her chance of winning increases exponentially. So I thought that it would be a good exercise in character design to accept the challenges from the show.

Wikipedia has a lovely list of all of the prompts from every season:

Season 1

Season 2

Season 3

Season 4

Season 5

Season 6

Season 7

I will add the caveat that not all of the challenges from the list can be attempted without watching the episode first, but the majority of them can be done based on the descriptions from Wikipedia. For example, you could design a character from season 6, episode 3, where the contestants had to create a human-dragon hybrid based on the appearance of a knight’s shield that they were given. The different types of shields are given in the list of adjectives next to the contestants’ names.

So explore some of these prompts and find one that you think is interesting. Say you wanted to design a dragon-man who spews sand instead of fire; you can write about him, draw him, or, heck, even compose a theme song for him!

Post your original characters in the comments below. We’d love to see what you come up with!

High Tech…Comic Books?

Hello and welcome to my first blog post! Are you excited? Good, because if you aren’t I have a rather menacing Liam Neeson Taken meme with your name on it… But let’s not waste time throwing threats around willy-nilly and just get down to the serious topic at hand: comic books.

I have been a fan of a web series called Bee and Puppycat ever since the first episode was released on YouTube on July 11, 2013. It is written and directed by Natasha Allegri, who is most famous for her contributions to the popular show Adventure Time. For those of you who watch the show, she is the mastermind behind the fabulous Fiona and Cake episodes. For those of you who don’t watch the show, these episodes feature Neil Patrick Harris playing Prince Gumball. Need I convince you further?

Bee and Puppycat is as hilariously strange and beautiful as its name. It centers on arguably one of the easiest characters to ever fall in love with, Bee, who has just lost her BeeandPuppyCatjob and has little to no prospects for a new one. Her life is looking bleak when out of nowhere, “a cat—maybe a dog” (Bee and Puppycat, 0:30)—appears before her with an opportunity to perform temp work in universes unknown. This mysterious feline/canine combination is named Puppycat. If you feel like giving the series a try, here’s a link to the pilot episode:

After the pilot gained so much popularity, Allegri was able to render Bee and Puppycat in the medium that she always preferred: comic books. While I already have a burning passion to read these comics, what made me even more interested was a recent announcement from Cartoon Hangover, the company that runs the series. They said that issue #2 contains QR codes on some of the pages that link you to original songs to play while you’re reading. I’m fairly new to comic books, so correct me if I am wrong, but this is the first that I’ve seen anyone do something like this. I mean I know Deadpool recommends “the reader crank ‘Five Minutes Alone’ by Pantera” in Deadpool: Dead Presidents, but composing original songs to coincide with the story is level of fourth-wall breaking that even Deadpool would toast a chimichanga to. This kind of innovation is going to change the comic book reading experience altogether!

With the rising popularity of web comics, comic books are taking on a new life through the power of the internet. For example, Michelle Czajkowski incorporates her experience with animation into her web comic called Ava’s Demon and ends her chapters with a short video that brings her narrative to life through beautiful animation of her characters (here’s an example: What’s even more impressive is Andrew Hussie’s web comic Homestuck, which explores the video game medium by featuring interactive games that allow the reader to become fully immersed in the story.

Speaking of web comics, soon we will be featuring a supremely talented web comic artist/writer, Crystal Yates, and her work, Earthsong! Stay tuned for more information…

Here’s her site:

I think it is mind-blowing that we have the technology to include animated videos, songs, and even video games in the reading experience! Before, comic books were advanced because of enhanced printing methods that allowed for them to be mass-produced in color. Now, we don’t even need to print comic books.

What effect do you think this will have on the comic book industry? Do you think that maybe these advancements are detracting from the reading experience or enhancing it? We’d love to see what you think! Leave a comment below.

Thursday Writing Prompt: SMDTM

On Tuesday, I wrote a blog post regarding the basic concepts of “Show me, don’t tell me.” With today’s writing prompt, I encourage you to use examples of both “showing,” and in a limited fashion “telling” where appropriate. Today’s writing prompt:

You wake up in the morning. It is darker than what you would normally expect. Opening the blinds, you think to yourself, “Oh, no. We should have listened.”

What happens next?

“Show Me, Don’t Tell Me:” Adding Words Tastefully

This post is in response to some of the submissions we have received, as well as my efforts to help critique some of my followers’ stories on Wattpad.

If you’ve been writing for any length of time and have ever taken a class in writing or listened to a lecture on writing, you’ve probably heard the phrase “Show me, don’t tell me.” If you haven’t heard it, or if you don’t entirely understand it, what does it mean?

In more philosophical circles, it might mean “don’t tell me about your theories, I want evidence;” for the purposes of writing, however, it means that instead of telling your readers what is going on in the narrative explicitly, you demonstrate it through character action, implicitly.

Let’s see an example of what “showing” might look like:

Phillip and Leela went to investigate the strange noise. They looked all around, but they didn’t find anything. They searched the entire ship but decided it must have been nothing.

There’s a lot wrong with the above sentences, but let’s focus on our topic. Essentially, we’re telling the reader what happens. While this can be appropriate in some situations (and I’ll get to that later), you don’t want your story to be this way for anyone reading at a level above grade five. Compare with the following:

The light from Phillip’s multitool light swung back and forth, piercing the inky darkness of the cargo hold. “I don’t see anything,” he murmured to Leela in hushed tones.

She sighed. “Neither do I. There aren’t many places that someone—or something—could hide in here.”

“What do you suppose made that noise, then?” Philip peered behind the last stack of containers. As he stood, he turned to face her. Leela’s face shone with determination in the spotlight.

“I’m not certain, but I’m not going to stop looking until we figure this out. You take the engine room; I’m going to go check the bridge again.”

Phillip nodded. Guilty, he realized he hoped that she found whatever had alerted them first. She was the captain, after all.

We have a lot more information here, and instead of telling our audience right out that they didn’t find anything, we show them through the character dialogue and actions. We learn something about Phillip and Leela as well, adding to their characterization.

We also need to move plot forward. If they search the cargo hold, the rest of the ship, and never find anything, then we (as authors) never go back and address what happened, there’s no need for the scene to even occur. While there are exceptions to every rule, we don’t typically want to add scenes that serve no purpose but characterization—we should be able to do that while still moving plot forward.

This is where there are rare occurrences where telling can trump showing. These are going to be the times when you have a plot point that needs to be stated, is either something the reader already knows or can’t know until later, but needs to be conveyed to characters in the book. An example of this might be an event that happens to our main character in chapter one, that they later need to tell another character about. We don’t need to repeat the details of the event, unless how the character is interpreting that event is crucial to the plot. For the most part, however, we could get away with something as simple as:

“What happened that night?” Farnsworth turned and looked at the two expectantly.

Leela relayed the events in the most concise manner possible, Phillip interjecting only when he felt it important.

“And that is why we will never agree to transport for the Metro Zoo again,” she concluded.

Finally, there is also such a thing as too much showing, and this is a big part of “adding words tastefully.” It can be a delicate balance by showing our audience what is going on, without adding too much detail. For example:

The phone rang, a shrill tone in the silence. Deborah walked into the hall, staring. The phone rang again. She picked the receiver up, placing it next to her ear. “Hello?” Deborah inquired.

“Hello Deborah, this is Michael. Can you meet me for lunch tomorrow, at say 12:30 p.m.?”

I’m going to stop there, because this is actually getting painful for me to even write. Let’s try again.

The phone rang.


“Hello, Deborah—it’s Michael. Can you meet me for lunch tomorrow around 12:30?”

Very few words, but we’re showing our audience what is going on. I’ve picked up the phone when it rang, you probably have as well. We don’t need to go through and describe every detail of Deborah’s actions. We really don’t even need to mention that it’s Deborah answering the phone, because Michael let’s us know in the very next sentence that indeed, it was her. We probably don’t even need to specify 12:30 p.m., because most people (as opposed to vampires and security guards) have lunch around noon. It’s a cultural convention we can use to spare our audience drawn out sentences.

There is a quote I love, for engineering, art, and writing, credited to Antoine de Saint Exupéry: “It seems that perfection is attained not when there is nothing more to add, but when there is nothing more to remove.”

In other words, when cutting down our sentences and paragraphs, we need to find the balance between showing our audience and fleshing out our scenes with enough detail, while also not adding in more than is really necessary to convey plot and story. Easy enough, right? Well, maybe not, but that’s why we practice and have writing groups.

So, to summarize really quick, when we’re editing our work, we should ask three basic questions:

  • “Can I ‘show’ my audience what is going on here better?”
  • “Does it move plot forward?”
  • “Is there anything I can remove here and still have everything make sense?”